A rare surviving example of the simple military version of this style.
An unusual cross-cultural mix, blending Burmese, Japanese and Indian parts.
Japanese mail set, with small ring vest and coif sewn to a thick cotton undergarment.
Executed in the Tibetan style, exhibiting dragons in foliage chasing flaming jewels.
Of classic shape, with a leaf-shaped blade on a socket, connected by a cast bronze base.
With a straight blade of asymmetrical grind and a strongly Chinese inspired scabbard.
With markings attributing it to the Tongzhou incident and a Japanese surrender tag.
One of the last bows by Yang Wentong, father of Yang Fuxi.
With a large double-edged tip and golden cresting.
With fine carved hilts, substantial bronze D-guards, and subtle signs of heat treatment on the blades.
The wide blade with clipped tip mounted on a riveted wooden grip.
With snake skin nock. Probably made by Ju Yuan Hao in the 1950s.
Made by the last operational bowyer of China, probably for the Mongolian market.
With iron mounts with golden overlay of dragons.
Dating from the revival period of Chinese archery in the 1930s.
The archetypical Chinese sword guard that gave rise to the Japanese genre of "nanban tsuba".
A very rare Chinese saber guard dating from the height of the Qing dynasty.
A Chinese sword guard from the 18th century with a Buddhist mantra in lantsa script.
It's face covered with beautifully lacquered leather, in that characteristic earlier style.
Such rings were worn by Qing dynasty "bannermen" as a sign of their status as a conquest elite.
A bronze processional piece with reign marks attributing it to the year 1864.
With a very thick and heavy blade and nicely worked brass mounts.
A step above the norm in quality for this period, with nicely pierced mounts.
With brass mounts and ray skin covered scabbard.
Of typical southern form with a very slender, pointy blade.
With good, layered blade, mounted in forged iron mounts.
A very heavy Manchu bow used for strength training and military examinations.
For the bowyers, a set of parts of an authentic 19th century Qing bow.
A short-eared composite bow with an iron hinge in the handle so it folds upon itself.
Of Kham area regional style, with a grip studded with turquoises and corals.
A very rare example of a type of all-leather tube quiver that was used by Mongols and Tibetans of
Signed Yasutsugu, with sayagaki referring to the Tokugawa family.
Depicting the golden cat, representing the 6th military rank.
Entirely clad in silver and with a differentially heat treated blade.
Of a style that fell out of use with the fall of the Qing.
A typical example, complete with lacquered scabbard.
A rarer configuration, normally mounted with brass in this period. With a chrome-plated blade.
From the Ming-Qing transition period, with many typical Ming features.
A short, stout Chinese straightsword of a type used by village defenses across the empire.
A peculiar Chinese dadao with markings attributing it to a Hui army or battallion.
A Chinese style fighting knife probably made in Yunnan or Vietnam.
Iron chopsticks that combine as a kogai, with silver inlaid Paulownia mon.
With heavy pierced silver mounts in with archaic dragon designs.
Most likely used by the multi-cultural crews of pirate fleets that roamed the South China seas.
A heavy, well-made piece that was probably a military issue.
The 17th-century blade is mounted in fittings designed by Philip Tom and executed by Vince Evans some 20 years ago.
A Japanese style sword guard made in 17th century Nagasaki Chinatown.
A rare 17th-century sword guard made of foreign steel.
Of the exact type seen in use by the famous 29th Route Army.
With all silver construction, including the blade.