The hilt is in the typical Marwari Rajput style, made by Ram Namar in 1857 A.D.
17 cm long
Disc pommel 63 mm
Iron, silver, wood.
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A charming iron hilt for an Indian talwar.
The overall form is called hakim khāni, characterized by a rounded grip section that flows smoothly into the crosspiece, as opposed to the hakim shahi style with a pronounced V shape in the transition. Hakim khāni may refer to Hakim Khan Sur, a Pashtun warrior who fought the Mughals and died in a battle in 1574.
Two talwar hilts as illustrated in Hendley's Damascening on steel or iron as practiced in India. 1892.
Left: Hakim khāni
Right: Hakim shahi
The hilt is overlaid with silver, the decor consisting of lines and dots with zig-zag borders. Some circular groups of dots are highly stylized flowers.
A few such hilts turn up in Rajput armories, among others in Mehrangarh Fort or the Rathores in Jodhpur under accession numbers ARM/76/105 and ARM/76/204. Dr. Elgood describes them in his Rajput Arms & Armour and dates one at 1870-1890 and the other at 1875-1900.
The execution of this hilt compares favorably to most mass-produced silver overlaid tourist items of the period. To execute geometric patterns with this kind of precision does take considerable skill. The common floral decoration has plenty of room for error, but these geometric schemes do not.
This talwar hilt (left) compared to a mass-produced tourist katar (right).
While there is stylistic similarity, notice the higher level of precision on the pommel.
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A beautiful signed Japanese ferrule and pommel plate.
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In the style of northern work of the 16th and 17th centuries
A by-knife for a Japanese sword, with a hilt shaped like a sword tang.
The only set of its type known to me in both private and museum collections.